dynamic range imprint
Ø compression
dynamic range imprint
Ø compression
A breathtaking collection of works as spectacular as Saint-Saens’ Danse Macabre and Wagner’s Walkyries adapted for the organ along with great classics of organ music. A thoroughly modern rendition by Melanie Barney. The innovative recording technique in 24/192 enhances the contemporary quality of the interpretation. One of Fidelio Musique true audiophile gems.
This translates in an unmatched ease of listening. The perfected classic technology matches June in the Fields’ smooth and subtle music. One guitar, two voices, one double bass are sufficient to create a magical universe. Simply perfect.
VIDEO GALLERY
PHOTO GALLERY
TECHNICAL NOTES
RECORDING EQUIPMENT
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This recording was done with the Neumann U-67 tube, schoeps M222 (tube), microphones connected to tubed preamplifiers and linked directly to a DCS 905 analog to digital converter with a 24-Bit/176 kHz resolution with the DCS Scarlatti clock.
A Pyramix Mykerinos (Masscore) recorder completed the recording arsenal.
CRITIC'S CORNER
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